Phoenix Venus
Well-known member
I thought i saw a thread on him but I couldn't find it in the search. I've read a few of David Icke's books and watched a few of his lectures. I've found that his books have a lot of accurate information, and he often overlays them with a spiritually hopeful message. But sometimes his theories are so wild and involved.. that you just can't help but wonder whether he is getting inside information deliberatly intended to mislead.. or maybe that he is just plain delerious or crazy?
Well, let the chart speak for itself! I think the sabians show a striking accurate portrayal of what is going on with this man.
i am pretty confident that the chart i have for him is accurate to the degree of the ascendant, as his symbols are so very fitting for him.
So I am placing this here rather than the celebrity section, as this is a depiction of his chart solely from the sabian symbols attained from specific degrees.
It is no wonder that I have taken an interest in this man and his books, as his asc is conjunct my sun and his mars is conjunct my mercury (all same degrees)
his ascendant is 17.34 libra. this is who he is:
(from dane rudhyar's astrological mandala)
Well, let the chart speak for itself! I think the sabians show a striking accurate portrayal of what is going on with this man.
i am pretty confident that the chart i have for him is accurate to the degree of the ascendant, as his symbols are so very fitting for him.
So I am placing this here rather than the celebrity section, as this is a depiction of his chart solely from the sabian symbols attained from specific degrees.
It is no wonder that I have taken an interest in this man and his books, as his asc is conjunct my sun and his mars is conjunct my mercury (all same degrees)
his ascendant is 17.34 libra. this is who he is:
(from dane rudhyar's astrological mandala)
TWO MEN PLACED UNDER ARREST.
KEYNOTE:A breakdown in the constructive relationship between the individual and society, and the expectable result.
KEYNOTE:A breakdown in the constructive relationship between the individual and society, and the expectable result.
well that certainly is fitting. he has much to say about society, and many others have much to say about him...
one thing that is interesting about his chart is that his mercury @ 13.04 aries is conjunct his part of false love/corruption (asc + neptune-venus) at 13.05 aries. i don't necessarily think this means that his mind is corrupted, it might point to intellectual insights regarding corruption, though at this point i am not absolutely sure about that:
A SERPENT COILING NEAR A MAN AND A WOMAN.
KEYNOTE: Identification in bipolar relationship with the impersonal rhythm of natural energy. At this fourth stage of the third five-fold sequence, we are confronted with an image suggesting the transpersonal way to the "cosmification" of desire and the conscious acceptance of polarization as the solution of the problems generated by individualization. But this need not mean what is currently meant by "sex" and the glorification of the orgasm. It implies rather the RITUALIZATION OF RELATIONSHIP.
hmm.. you see.. he definitely communicates about the corruption of serpents (i think he even goes so far as saying that the serpent in the garden of eden was an alien reptilian)... and about the current discordant rhythm of natural energy.. and corruption in relationships, rituals, etc...
his part of soul (asc + sun - moon) is @ 14.10 leo
A PAGEANT, WITH ITS SPECTACULAR FLOATS, MOVES ALONG A STREET CROWDED WITH CHEERING PEOPLE.
KEYNOTE:
KEYNOTE:
The more or less sensational release of energies in a form dramatizing the unconscious aspirations of man's primitive and instinctual nature.
This last picture of the series dealing with the ninth scene, "Combustion," recalls in a collective sense the dramatic event represented by the first (Leo 1°). The street pageant, perhaps a tumultuous carnival, brings men and women to a peak of emotional excitement, and perhaps incandescence. But the pageant had to be planned carefully by individual minds that sought to express themselves in the process of giving a concrete form to the desires and expectations of the collective crowd. The theatricality of the Leo type is fully expressed here.
This is the fifth stage of the twenty-seventh five-fold sequence of phases. At this stage the mind of the individual is able to give a public DEMONSTRATION of his ability to sway the multitudes by a dramatic presentation of popularized ideals. This leads to a new scene on the cyclic journey around one's own universe, symbolized by the signs of the zodiac.
This is the fifth stage of the twenty-seventh five-fold sequence of phases. At this stage the mind of the individual is able to give a public DEMONSTRATION of his ability to sway the multitudes by a dramatic presentation of popularized ideals. This leads to a new scene on the cyclic journey around one's own universe, symbolized by the signs of the zodiac.
interesting.. so, in the least, we can say.. this is a person who uses dramatics/ embellishment to get his points across...
his part of skill @ taurus 15.35
AN OLD TEACHER FAILS TO INTEREST HIS PUPILS IN TRADITIONAL KNOWLEDGE.
KEYNOTE:
KEYNOTE:
The inadequacy of past knowledge in time of crisis.
During this Act One of the cyclic process the emergence of new developments is emphasized. In time of crisis — as, for example, the "storm" being braved by the man of the last symbol (Phase 45) — the type of wisdom learned from this past remains in the background to be revived later on in new forms; what is emphasized is change. Traditional concepts are not adequate to confirm the new conditions of existence. Thus whenever this symbol comes to a seeker's attention it indicates that even the most consecrated tradition does not have the real answer to the problem.
At this first stage of the tenth five-fold sequence of phases of the cyclic process a seemingly negative picture is shown. From the Zen point of view the mind facing trouble should not depend on past concepts but should repeat: "Not this! Not that!" — until the pure Void is reached. We might speak here of the principle of CREATIVE FRUSTRATION.
During this Act One of the cyclic process the emergence of new developments is emphasized. In time of crisis — as, for example, the "storm" being braved by the man of the last symbol (Phase 45) — the type of wisdom learned from this past remains in the background to be revived later on in new forms; what is emphasized is change. Traditional concepts are not adequate to confirm the new conditions of existence. Thus whenever this symbol comes to a seeker's attention it indicates that even the most consecrated tradition does not have the real answer to the problem.
At this first stage of the tenth five-fold sequence of phases of the cyclic process a seemingly negative picture is shown. From the Zen point of view the mind facing trouble should not depend on past concepts but should repeat: "Not this! Not that!" — until the pure Void is reached. We might speak here of the principle of CREATIVE FRUSTRATION.
Another interesting conjunction in his chart is part of delusion about a degree away from his IC. does this mean that he is a deluded person? Well the IC tells us WHY we are on our journey. His IC suggests that he is on this quest for a spiritual goal. His part of delusion interestingly talks about the elite, materialism, and reliance on tradition.. so maybe the "why" of his identity has to do a goal surrounding the delusions of these themes... or maybe it simply means that he is deluded about his spiritual role... i guess that is for you to decide after discerning the rest of the chart symbolism.
ic: 23.24 cap
ic: 23.24 cap
A WOMAN ENTERING A CONVENT.
KEYNOTE: Total commitment to a transcendent goal.
A convent is a place made available by a community which believes in the possibility of reaching a world-transcending state of consciousness. It is made available to individuals who may be variously motivated. To some it is an escape from the intolerable pressures of family and society; to others it represents the possibility of pursuing in peace a spiritual ideal to which the whole being aspires and is totally dedicated. The important point, in this phase of the cyclic process, is that the existence of a convent expresses another aspect of the relationship between the society (its religion and culture) and the individual. In the preceding symbol society rewarded the individual for a noble performance in its service; here society accepts the fact that beyond its daily normal patterns of behavior and commitments, another way of life exists which, in a higher sense, also has social value. In the old Hindu society dominated by a rigid caste system, the ideal embodied in the sannyasi — the wandering holy man or yogi meditating in a forest or a cave, who had entirely given up all that caste implied — was seen to be the very culmination of the social process.
In this fourth stage symbol we see the paradoxical nature of the social process operating more strongly than ever. This derives from the fact that man's nature contains in seed the possibility of overcoming and transcending itself in acts of complete denials and of surrender to a "higher" Law or quality of being. All spiritual techniques are indeed paradoxical. Rigid discipline conditions pure inner freedom. The final goal is the attainment of TRANSCENDENT SECURITY.
In this fourth stage symbol we see the paradoxical nature of the social process operating more strongly than ever. This derives from the fact that man's nature contains in seed the possibility of overcoming and transcending itself in acts of complete denials and of surrender to a "higher" Law or quality of being. All spiritual techniques are indeed paradoxical. Rigid discipline conditions pure inner freedom. The final goal is the attainment of TRANSCENDENT SECURITY.
delusion: asc + nep - moon: cap 24. 41
A STORE FILLED WITH PRECIOUS ORIENTAL RUGS.
A STORE FILLED WITH PRECIOUS ORIENTAL RUGS.
KEYNOTE: The use of cultural and artistic processes as means to enhance personal comfort and appreciation.
Corning after the preceding symbol this one brings us back to the material, yet esthetic, aspect of the benefits a society can bring its members. A "rug" always implied to some extent something on which a person stands or sits. It is a foundation for cultural "under-standing," and as such it can have a magical or sacred meaning, as in the case of prayer rugs. The "woman in a convent" probably knows only the bare floor, because her goal is one of transcendence, of surrendering comfort as well as cultural patterns. But to the social elite, or even to the oriental devotee praying to his god, society offers the relative comfort of beautiful rugs so he may meet the universe, not merely in terms of the support the natural soil gives, but protected by and securely established on the mental-spiritual as well as manual achievements of those who keep the cultural symbols alive.
This is the last symbol in the fifty-ninth five-fold sequence. It shows the beautiful products of dedicated and inspired group performance at the level of tradition. It emphasizes the value of RELIANCE ON TRADITION.
There are many more symbols to discuss and I will be posting some more as the day goes on. Corning after the preceding symbol this one brings us back to the material, yet esthetic, aspect of the benefits a society can bring its members. A "rug" always implied to some extent something on which a person stands or sits. It is a foundation for cultural "under-standing," and as such it can have a magical or sacred meaning, as in the case of prayer rugs. The "woman in a convent" probably knows only the bare floor, because her goal is one of transcendence, of surrendering comfort as well as cultural patterns. But to the social elite, or even to the oriental devotee praying to his god, society offers the relative comfort of beautiful rugs so he may meet the universe, not merely in terms of the support the natural soil gives, but protected by and securely established on the mental-spiritual as well as manual achievements of those who keep the cultural symbols alive.
This is the last symbol in the fifty-ninth five-fold sequence. It shows the beautiful products of dedicated and inspired group performance at the level of tradition. It emphasizes the value of RELIANCE ON TRADITION.