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Marilyn Monroe
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<blockquote data-quote="Ukpoohbear" data-source="post: 1048329" data-attributes="member: 55674"><p>Marilyn's Mars at 20 Pisces:</p><p></p><p>SECOND LEVEL: EMOTIONAL/CULTURAL</p><p></p><p>PHASE 351 (PISCES 21°): UNDER THE WATCHFUL AND KIND EYE OF A CHINESE SERVANT, <span style="color: Magenta"><strong>A GIRL FONDLES A LITTLE WHITE LAMB</strong></span>. </p><p></p><p>KEYNOTE: Growth in consciousness in its earliest tactile awareness of the wonders of unsophisticated living. </p><p></p><p>This symbol recalls the one for Phase 174 (Virgo 24°) — "Mary and her little lamb" — but it occupies a different position in the five-fold sequence and a new factor is added: the "Chinese servant." According to the occult tradition, the original Chinese race was an extension of the humanity (or "Root Race") preceding ours — thus the stress upon the biological factors of family and ancestors, and also on the dualism of the Yang and Yin interplay. The "Chinese servant" represents the past as a servant of the new evolution. (The "white lamb" suggests the sign of all beginnings, Aries.) This new evolution is just about to begin during the late Pisces phase of the year cycle. It is as yet an ideal, a white loveliness. The girl discovers the new feeling of the touch of wool and of animal warmth. The preceding five-fold sequence began with a symbol suggesting the inspiring revelation of new truths or facts which the creative person is seeking to formulate. Now we witness another kind of discovery — a sensuously emotional discovery, perhaps a presentiment of the mother-feeling. </p><p></p><p>This is the first symbol of the seventy-first sequence. It brings together past and future, an overlapping of levels. The Chinese kindly watching the white girl; the girl fondling the white lamb. There is charm and ingenuousness in the scene — <strong><span style="color: Magenta">a vision of WHITE HOPE, a hope for a future that can only be felt, almost naively.</span></strong></p><p></p><p><img src="https://i.ibb.co/LDKMYJm/normajeanelamb.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></p><p></p><p>- “Norma Jeane posing with a lamb in 1945. Although the pictures are charming, Marilyn later revealed that she did that photoshoot with mixed feelings. The lamb in the picture had been rejected by its mother, and would eventually die. Marilyn always loved animals, and found things like this heart-breaking.</p><p></p><p>Shot by Andre de Dienes, and made it to the cover of the magazine The Family Circle in April 1946 (as her <strong><span style="color: Magenta">first cover</span></strong>)”</p><p></p><p><strong><span style="color: magenta">-</span></strong> <a href="https://www.goodreads.com/photo/author/82952.Marilyn_Monroe" target="_blank">https://www.goodreads.com/photo/author/82952.Marilyn_Monroe</a></p><p></p><p><img src="https://i.ibb.co/7W1KzYy/marilynfirstcover.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></p></blockquote><p></p>
[QUOTE="Ukpoohbear, post: 1048329, member: 55674"] Marilyn's Mars at 20 Pisces: SECOND LEVEL: EMOTIONAL/CULTURAL PHASE 351 (PISCES 21°): UNDER THE WATCHFUL AND KIND EYE OF A CHINESE SERVANT, [COLOR="Magenta"][B]A GIRL FONDLES A LITTLE WHITE LAMB[/B][/COLOR]. KEYNOTE: Growth in consciousness in its earliest tactile awareness of the wonders of unsophisticated living. This symbol recalls the one for Phase 174 (Virgo 24°) — "Mary and her little lamb" — but it occupies a different position in the five-fold sequence and a new factor is added: the "Chinese servant." According to the occult tradition, the original Chinese race was an extension of the humanity (or "Root Race") preceding ours — thus the stress upon the biological factors of family and ancestors, and also on the dualism of the Yang and Yin interplay. The "Chinese servant" represents the past as a servant of the new evolution. (The "white lamb" suggests the sign of all beginnings, Aries.) This new evolution is just about to begin during the late Pisces phase of the year cycle. It is as yet an ideal, a white loveliness. The girl discovers the new feeling of the touch of wool and of animal warmth. The preceding five-fold sequence began with a symbol suggesting the inspiring revelation of new truths or facts which the creative person is seeking to formulate. Now we witness another kind of discovery — a sensuously emotional discovery, perhaps a presentiment of the mother-feeling. This is the first symbol of the seventy-first sequence. It brings together past and future, an overlapping of levels. The Chinese kindly watching the white girl; the girl fondling the white lamb. There is charm and ingenuousness in the scene — [B][COLOR="Magenta"]a vision of WHITE HOPE, a hope for a future that can only be felt, almost naively.[/COLOR][/B] [img]https://i.ibb.co/LDKMYJm/normajeanelamb.jpg[/img] - “Norma Jeane posing with a lamb in 1945. Although the pictures are charming, Marilyn later revealed that she did that photoshoot with mixed feelings. The lamb in the picture had been rejected by its mother, and would eventually die. Marilyn always loved animals, and found things like this heart-breaking. Shot by Andre de Dienes, and made it to the cover of the magazine The Family Circle in April 1946 (as her [B][COLOR="Magenta"]first cover[/COLOR][/B])” [B][COLOR="magenta"]-[/COLOR][/B] [url]https://www.goodreads.com/photo/author/82952.Marilyn_Monroe[/url] [img]https://i.ibb.co/7W1KzYy/marilynfirstcover.jpg[/img] [/QUOTE]
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